Category: Tutorials and Reviews

So what do I do when I have a few days off? I play around with photoshop of course. They say that when you do what you love you’ll never work a day in your life, but the reverse is that you’ll also never really have a day off! Anyway, I thought it might be nice to do another photoshop tutorial, this time explaining the method I used on the photographs in yesterday’s post.

Eve and I were messing around yesterday afternoon, she was jumping on the bed and I was trying to snap a few shots of her in action. It was a cloudy afternoon and the light in the spare bedroom was dull. I needed a fast shutter speed to capture her so my ISO had to go up to 800 (even then the shots came out pretty blurry as you can see in the previous post) which means grainy photos from my 10D. In the end the results straight from the camera needed a bit of help. I shoot everything in RAW format (rather than JPG) which DSLRs allow you to do, this means that I have a lot more leeway when it comes to working with dodgy conditions…and if all that just stepped too far over the techy line for you just allow your eyes to glaze over and click on to the tutorial to see how I made the above image:

Every photographer seems to have their own way of converting their digital photographs into black & white depending on their style. I write this tutorial as a way to offer you just one way of doing it, certainly not the only way or the right way. I should also say that I like my black & white photographs to be just that…black and white. I suppose you could call it “high key” which not everyone likes. High key means that the image is high contrast or even over-exposed. So if you don’t like that kind of image, you may want to tone things down, but don’t worry, I hope this tutorial will show you that it’s easy to adjust to your own taste. I have a number of different things that I do to create different effects in my images but this is what I do when I just want to keep it plain and simple.

These instructions should be straightforward enough for a novice photoshop user although it presumes you’ve used Photoshop before and know a few of the terms like Layers and Opacity. No filters are used, just basic settings that should be in all versions of Photoshop (although I’m not sure about Elements since I’ve never used it).

So, without anymore faff and disclaiming, fire up Photoshop and give this a go:

This is a post I’ve been thinking about for awhile. It’s by no means meant to be some kind of exhaustive list of the laws of photography, or even a set of rules that I think people ought to be following. It’s just some of the things I try to keep in my mind anytime I’m going out to take photographs because I think that it makes for more interesting pictures. There are more of course but I wanted to keep it to a nice even ten and also these are ones that could be applied whether you’re using a fancy DSLR or a camera phone:

1. High Noon

Midday is the most boring light of the day. Mornings and evenings are much more interesting and the shadows are more flattering if you’re photographing people.

2. A Different Point Of View

Avoid shooting straight from eye level. Kneel (or lie!) down, stand on a wall or hold your camera high or low or somewhere where you can’t look through the viewfinder. This takes a bit of practice and you’ll probably have to brace your camera against the ground or a wall, but when it works it’s my favourite kind of shot.

3. What’s It All About?

Give your landscapes context. That could mean a person, or a building, an animal or even a single flower or tree. Anything that shows the scale and gives it a focal point.

4. The Devil’s In The Details

I think this motto applies to anything creative because it’s always that little extra detail that you add that makes the drawing or animation stand out, not just photography. Look for the story in the scene you’re shooting and pick out the details that give it that extra something special. Don’t settle for the first obvious few shots that you immediately see, get them out of the way and then look a little harder.

5. Shakin’ All Over

When you’re not hanging off the edge of a cliff attempting tip number 2, remember to hold your camera properly. If you can, brace yourself by leaning a shoulder against a wall or find a steady surface to rest your camera on. If you’re standing, stand with your feet slightly apart, tuck your elbows in, exhale and squeeze, don’t stab, the shutter. Relax!

6. Zoom Zoom

Don’t use the zoom to frame your shots. Know why you’re choosing a particular focal length and then either move closer or farther away from your subject to get the correct framing.

7. Composition Made Easy

Composition can be made to sound very complicated but just three simple things will improve the look of your shots. First, try putting the focal point or subject in one of the four corners of your photograph. Second, horizon lines are best in the top third or bottom third of the frame, not the middle (I admit, I break this one a lot). Third, diagonal lines are more interesting than straight ones.

8. The Sky’s The Limit

If the sky isn’t interesting then leave it out of the photograph. Avoid the white sky of death that we see so often here in Ireland, especially during the winter. Try to find a better angle, perhaps get up a bit higher and take a shot looking down or put your subject in front of a colourful wall. Anything but a huge expanse of pale grey nothing.

9. Fill The Frame

Following on from that, make every part of your picture count. Take a minute to look at what’s around the thing you’re photographing. Does the background help the photo by creating a frame and leading your eye to the subject, or does it distract? If it’s all a big jumble think about either changing your angle so the background is free of clutter or move in closer.

10. The Dirty Little Secret

While I do think that you’re better off trying to get your photos as “finished” as possible in-camera, don’t be ashamed of using Photoshop. So many photographers seem to try and play it down, mumbling that they did a tiny bit of Photoshop on their photo as if confessing to cheating. No amount of Photoshop will fix a bad photograph but it does have it’s place and is a wonderful tool. Remember that even film photographers play around with chemicals, exposures, cropping and paper types in the darkroom to get similar effects. In my opinion, I think the best way to use Photoshop is 95% enhancement (saturation, contrast, black and white conversion) and 5% fixing of mistakes (cropping, white balance, clone tool). Don’t use it to get rid of double chins or make people’s legs longer and skinnier…that kind of stuff can be seen a mile away.

So that’s my little manifesto. Feel free to disregard them all (well except for the double chin thing…that’s non-negotiable) and if you have any of your own please, please leave a comment and share them with me.