Author: Claire

The House On The Hill

I think I first saw the house about six months ago when I happened to spot it from the top deck of a bus. It’s set back from the road behind the hedgerows so it isn’t easily seen if you’re down at ground level. As soon as I saw it I wanted to grab my camera and go explore but visions of angry farmers with shotguns or worse made me cautious. I didn’t know how to find out who owned it and the only way in was barred by two large and sturdy gates so I left it at that. Still, everytime we drove past where it was I would strain to catch a glimpse of it to make sure it was still there hoping I would get my chance.

Then a couple of weeks ago I noticed that the gates had been stolen which meant the driveway was clear and anyone could just walk right up to the house. Of course I wanted to go straight away, but, for some reason Matt wasn’t too keen on that idea. I was worried that now that the gates were down it was more likely that the place would be looted if there was anything there to loot and I wanted to see it as it was. Finally, Matt gave in to my constant talking about it and a week ago, when we were driving past, we pulled up to the gates and he got out to have a look. While Eve and I waited in the car I watched Matt’s retreating back as he disappeared up the driveway. In the distance all I could see was a single black window between the trees, and was thinking that if this was a movie I’d be shouting at the telly right now telling the actors not to be so stupid. I was just starting to wonder what I would do if he didn’t come back, when he appeared at the top of the driveway. I felt it was a good sign that he wasn’t running with a pack of dogs at his heels signalling for me to start the car.

When he got back to the car and described the house I was even more excited about going up to see it myself. Matt’s a real bluff Yorkshire man but he admitted it was quite spooky up there. With Eve in the car with us though we had to leave it for another time. Yesterday we finally got our chance. It was early afternoon, the sun was very bright so the conditions weren’t exactly perfect but I figured if I didn’t get any good shots we’d go back some other time. We parked the car a small ways away and walked back to the house. Matt didn’t help my nerves by telling me he was sure he could hear dogs but in the end we were able to wander around for an hour or so. I could have stayed longer, and I would have loved to have gone inside the house but it had been damaged in a fire and didn’t look safe at all:

One of the spookiest things about the place were the crows…hundreds and hundreds of them in the trees all around the house so the noise was really loud. Every now and then they would all take off at once and the sky would be full of them:

There were plenty of outhouses filled with old rusted junk and barbed wire:

The house had the most personality though, if you could call it that. This chair was sat on the old burned out porch, the perfect place to watch the world go by:

More tomorrow…

Photography Tutorials and Reviews

Ten Photography Tips

This is a post I’ve been thinking about for awhile. It’s by no means meant to be some kind of exhaustive list of the laws of photography, or even a set of rules that I think people ought to be following. It’s just some of the things I try to keep in my mind anytime I’m going out to take photographs because I think that it makes for more interesting pictures. There are more of course but I wanted to keep it to a nice even ten and also these are ones that could be applied whether you’re using a fancy DSLR or a camera phone:

1. High Noon

Midday is the most boring light of the day. Mornings and evenings are much more interesting and the shadows are more flattering if you’re photographing people.

2. A Different Point Of View

Avoid shooting straight from eye level. Kneel (or lie!) down, stand on a wall or hold your camera high or low or somewhere where you can’t look through the viewfinder. This takes a bit of practice and you’ll probably have to brace your camera against the ground or a wall, but when it works it’s my favourite kind of shot.

3. What’s It All About?

Give your landscapes context. That could mean a person, or a building, an animal or even a single flower or tree. Anything that shows the scale and gives it a focal point.

4. The Devil’s In The Details

I think this motto applies to anything creative because it’s always that little extra detail that you add that makes the drawing or animation stand out, not just photography. Look for the story in the scene you’re shooting and pick out the details that give it that extra something special. Don’t settle for the first obvious few shots that you immediately see, get them out of the way and then look a little harder.

5. Shakin’ All Over

When you’re not hanging off the edge of a cliff attempting tip number 2, remember to hold your camera properly. If you can, brace yourself by leaning a shoulder against a wall or find a steady surface to rest your camera on. If you’re standing, stand with your feet slightly apart, tuck your elbows in, exhale and squeeze, don’t stab, the shutter. Relax!

6. Zoom Zoom

Don’t use the zoom to frame your shots. Know why you’re choosing a particular focal length and then either move closer or farther away from your subject to get the correct framing.

7. Composition Made Easy

Composition can be made to sound very complicated but just three simple things will improve the look of your shots. First, try putting the focal point or subject in one of the four corners of your photograph. Second, horizon lines are best in the top third or bottom third of the frame, not the middle (I admit, I break this one a lot). Third, diagonal lines are more interesting than straight ones.

8. The Sky’s The Limit

If the sky isn’t interesting then leave it out of the photograph. Avoid the white sky of death that we see so often here in Ireland, especially during the winter. Try to find a better angle, perhaps get up a bit higher and take a shot looking down or put your subject in front of a colourful wall. Anything but a huge expanse of pale grey nothing.

9. Fill The Frame

Following on from that, make every part of your picture count. Take a minute to look at what’s around the thing you’re photographing. Does the background help the photo by creating a frame and leading your eye to the subject, or does it distract? If it’s all a big jumble think about either changing your angle so the background is free of clutter or move in closer.

10. The Dirty Little Secret

While I do think that you’re better off trying to get your photos as “finished” as possible in-camera, don’t be ashamed of using Photoshop. So many photographers seem to try and play it down, mumbling that they did a tiny bit of Photoshop on their photo as if confessing to cheating. No amount of Photoshop will fix a bad photograph but it does have it’s place and is a wonderful tool. Remember that even film photographers play around with chemicals, exposures, cropping and paper types in the darkroom to get similar effects. In my opinion, I think the best way to use Photoshop is 95% enhancement (saturation, contrast, black and white conversion) and 5% fixing of mistakes (cropping, white balance, clone tool). Don’t use it to get rid of double chins or make people’s legs longer and skinnier…that kind of stuff can be seen a mile away.

So that’s my little manifesto. Feel free to disregard them all (well except for the double chin thing…that’s non-negotiable) and if you have any of your own please, please leave a comment and share them with me.

Blogging Ireland Photography

Kevin And Angelina

Our good friends Kevin and Angelina, after two and a half years here in Ireland, are moving back to California at the end of the week. Before they leave, Angelina asked me to take some portraits of them and I jumped at the chance to have willing subjects (other than poor Eve who thinks her mother looks like a Canon lens) to practise my portrait-taking on. I’ve wanted to take photographs down on Sandymount beach for ages so I suggested we try it out as a location and, although the bright sunlight made it a challenge to find angles where they weren’t forced to squint, I’m happy with how they turned out. It was a lot of fun too.

We’re really going to miss them both when they leave. Who is Matt going to talk computers with? And who am I going to talk blogging with?!

A little cheesy? Maybe, but this is my attempt at a Tara Whitney shot and I kind of like it:

Sandymount Beach

Usually my Saturday mornings are spent bleary-eyed on the couch in front of Fifi and the Flowertots. Last Saturday we were down on Sandymount Beach by 9am (I’ll post what we were doing there tomorrow) and it was gorgeous. The tide there goes out 2 miles at its lowest and with the sky completely clear and blue it was just perfect. I don’t think Eve had ever seen so much space.

If you’re interested in the technical side of it:

I used my beloved Canon 17-40mm L lens for these.
I set my camera to Shutter Priority so I could keep it at 1/1000 (nice and fast to get the shallow depth of field).
To get the low angle I didn’t actually lie on the sand, I just held the camera down at ground level and aimed it at Eve.

Blogging

I’m Back…

…and feeling all refreshed. Did I miss anything?